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タグ 翻訳待ち 22 elder_jedi_1 The ability to become an Elder Jedi is insignificant next to the power of the Force, %TO, but I m impressed nonetheless. 84 elder_jedi_10 Aren t you a little of short for an...um...Elder Jedi, %TO. 58 elder_jedi_11 May the Force be with you, Elder Jedi %TO. 59 elder_jedi_12 May the Force be with you, Elder Jedi %TO. 60 elder_jedi_13 Aurilia welcomes you, Elder Jedi %TO. And may the Force be with you. 61 elder_jedi_14 Aurilia welcomes you, Elder Jedi %TO. And may the Force be with you. 62 elder_jedi_15 Aurilia welcomes you, Elder Jedi %TO. And may the Force be with you. 23 elder_jedi_2 May the Force be with you, Elder Jedi %TO. 24 elder_jedi_3 Compassion, which I would define as unconditional love, is essential to an Elder Jedi s life, isn t it %TO? 25 elder_jedi_4 The Force is what gives an Elder Jedi like %TO his power. It s an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together. 26 elder_jedi_5 %TO is an Elder Jedi, so I m not surprised %TT came to Aurilia. 27 elder_jedi_6 %TO is not the Elder Jedi you are looking for. Move along. 28 elder_jedi_7 I sense something. A presence I ve not felt since the last time Elder Jedi %TO was in Aurilia. 29 elder_jedi_8 I have a secret just for an Elder Jedi like you, %TO. But you probably already know what I m going to say, don t you? Get out of my head!! 30 elder_jedi_9 It s an Elder Jedi! %TO!! Everyone gather around and...what s that? Move along? Okay. 31 heroic_axkva_1 Ding-dong, Axkva Min is dead! Hooray to %TO! 85 heroic_axkva_10 Ding-dong, Axkva Min is dead! Hooray to %TO! 64 heroic_axkva_11 Ding-dong, Axkva Min is dead! Hooray to %TO! 65 heroic_axkva_12 Brilliantly done defeating Axkva Min, %TO! 66 heroic_axkva_13 Brilliantly done defeating Axkva Min, %TO! 67 heroic_axkva_14 Wow, %TO defeated Axkva Min and her minions! That s amazing!! 68 heroic_axkva_15 No Nightsister would dare attack Aurilia while %TO is here. Not after %TT defeated Axkva Min! 32 heroic_axkva_2 I guess Axkva Min will make sure %TO isn t around the next time she tries to escape her banishment. 33 heroic_axkva_3 Axkva Min should have just stayed in her crystal, right %TO? 34 heroic_axkva_4 Axkva Min the Devourer? Lelli Hi the Conniver? Suin Chalo the Ravager? I think I m beginning to understand why they hate everyone. 35 heroic_axkva_5 If you ask me, Axkva Min should escape while %TO is busy fighting Gorvo the rancor. She s doomed otherwise. 36 heroic_axkva_6 Wow, %TO defeated Axkva Min and her minions! That s amazing!! 37 heroic_axkva_7 No Nightsister would dare attack Aurilia while %TO is here. Not after %TT defeated Axkva Min! 38 heroic_axkva_8 Brilliantly done defeating Axkva Min, %TO! 39 heroic_axkva_9 %TO defeated Axkva Min, and now %TT graces the streets of Aurilia! Hooray!! 49 heroic_ig88_1 I thought IG-88 was just a rusty bucket of bolts, but apparently %TO had to go shut him down. 86 heroic_ig88_10 If any renegade droids like IG-88 attack Aurilia, I feel safer with %TO around. 69 heroic_ig88_11 %TO defeated IG-88! Well done! 70 heroic_ig88_12 %TO defeated IG-88! Well done! 71 heroic_ig88_13 Beating an assassin droid like IG-88 is impressive, %TO! 72 heroic_ig88_14 Beating an assassin droid like IG-88 is impressive, %TO! 73 heroic_ig88_15 %TO defeated IG-88! Well done! 50 heroic_ig88_2 %TO defeated IG-88! Well done! 51 heroic_ig88_3 You defeated IG-88, %TO, but he claims to has loaded himself into the factory computers. Does that mean you ll have to defeat him again? 52 heroic_ig88_4 I heard you defeated IG-88, %TO! But was it IG-88H? Or maybe IG-88F? Or was it IG-88Q? 53 heroic_ig88_5 That factory you liberated from IG-88, %TO, actually belongs to Nym? 54 heroic_ig88_6 IG-88 was reduced to scrap metal after you were through with him, %TO! 55 heroic_ig88_7 If any renegade droids like IG-88 attack Aurilia, I feel safer with %TO around. 56 heroic_ig88_8 Beating an assassin droid like IG-88 is impressive, %TO! 57 heroic_ig88_9 Bring on IG-88 s droid army! We have %TO on our side to save the day!! 40 heroic_tusken_1 Wow, I heard that %TO fought off an invasion of Tusken Raiders in Mos Espa on Tatooine. 87 heroic_tusken_10 Did you really save Mos Espa from an army of Sand People, %TO? If so, I fell safer now that you re in Aurilia. 74 heroic_tusken_11 %TO saved Mos Espa! Hooray for %TO!! 75 heroic_tusken_12 %TO saved Mos Espa! Hooray for %TO!! 76 heroic_tusken_13 %TO saved Mos Espa! Hooray for %TO!! 77 heroic_tusken_14 %TO defeated the Tusken Raider army invading Mos Espa! 78 heroic_tusken_15 %TO defeated the Tusken Raider army invading Mos Espa! 41 heroic_tusken_2 Did you really save Mos Espa from an army of Sand People, %TO? If so, I fell safer now that you re in Aurilia. 42 heroic_tusken_3 I heard that the attack on Mos Espa was actually caused by someone taking some sacred relics from the Tusken Raiders. You wouldn t know anything about that, would you %TO? 43 heroic_tusken_4 %TO defeated the Tusken Raider army invading Mos Espa! 44 heroic_tusken_5 %TO saved Mos Espa! Hooray for %TO!! 45 heroic_tusken_6 Next time you fight Tusken Raiders in Mos Espa %TO, you should invite me along. I ll loot all those Tusken Raider corpses you leave in your wake. 46 heroic_tusken_7 The Tusken King is dead. Three cheers for %TO! Hooray! Hooray! Hooray! 47 heroic_tusken_8 You don t think any Tusken Raiders followed you from Mos Espa to here, do you %TO? 48 heroic_tusken_9 %TO succeeded where the entire Imperial army failed and freed Mos Espa from a Tusken Raider invasion! 13 normal_1 Welcome to Aurilia, %TO. 88 normal_10 If you need to travel somewhere, %TO, speak with Maximillian. He can provide transportation to many locations. 79 normal_11 Don t worry, %TO, the fog never actually lifts. 80 normal_12 Paemos is the mayor of Aurilia, but I don t remember voting for him and haven t been able to find a voting terminal anywhere in town. 81 normal_13 I think that Dageerin acquired a supply of interesting trinkets during his years exploring the galaxy before settling in Aurilia. 82 normal_14 Greetings %TO! Welcome to Aurilia. 83 normal_15 Greetings %TO! Welcome to Aurilia. 14 normal_2 Hey %TO, did you know that Mellichae is a prisoner here in Aurilia? Captain Sarguillo defeated him. 15 normal_3 Shaneeka, Aurilia s chief engineer, has managed to hold the job longer than any previous chief engineer. Good for her. 16 normal_4 Sivarra has had less work as a medic lately, so started selling useful trinkets to adventurers. Kind of odd, isn t that? 17 normal_5 Rumor has it that Quharek has a large stash of various types of ore and energy. I wonder where he got it all? 18 normal_6 I haven t ventured beyond the fog for so long that I ve forgotten what lies beyond it. 19 normal_7 Rohak is our town elder, %TO. He is the wisest person I ve ever known. 20 normal_8 Greetings %TO! Welcome to Aurilia. 21 normal_9 Hello whoever you are. What? How would I know your name?
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ACT TWO Scene 1 (Solomon, Levite, Israelites) 22.- Chorus CHORUS From the censer curling rise grateful incense to the skies; heaven blesses David’s throne, happy, happy Solomon! Live, live for ever, pious David’s son; live, live for ever, mighty Solomon 23.- Recitative SOLOMON Prais’d be the Lord, form Him my wisdom springs; I bow in-raptur’d to the King of Kings. He led me, abject, to th’imperial state, when weak, and trembling for my future fate; strengthen’d by Him, each foe with horror fled, then impious Joab at the altar bled; the death he oft deserv’d stern Schimei found, and Adonijah sunk beneath the wound; forc’d by his crimes, I spoke a brother’s doom. Ah, may his vices perish in his tomb! 24.-Air When the sun o’er yonder hills pours in tides the golden day, or, when quiv’ring o’er the rills, in the west he dies away; he shall ever hear me sing praises to th’eternal King. 25.- Recitative LEVITE Great prince, thy resolution’ just; he never fails, in Heav’n who puts his trust; true worth consists not in the pride of state, ‘this virtue only makes a monarch great. 26.- Air Thrice bless’d that wise discerning king, who can each passion tame, and mount on virtue’s eagle wing to everlasting fame. Such shall as mighty patterns stand to princes yet unborn, to honour prompt each distant land, and future time adorn. Scene 2 (The previous and an attendant) 27.- Recitative ATTENDANT My sovereign liege, two women stand, and both beseech the king’s command to enter here. Dissolv’d in tears the one a new born infant bears; the other, fierce, and threat’ ning loud, declares her story to the crowd; and thus she clamours to the throng, "see we the King, he shall redress our wrong" SOLOMON Admit them straight; for when we mount the throne, our hours are all the people’s, not our own. Scene 3 (The previous and two harlots) FIRST HARLOT Thou Son of David, hear a mother’s grief; and let the voice of justice bring relief. This little babe my womb conceiv’d, the smiling infant I with joy receiv’d. That woman also bore a son, whose vital thread was quickly spun one house we both together kept; but once, unhappy, as I slept, she stole at midnight where I lay, bore my soft darling from my arms away, and left her child behind, a lump of lifeless clay and now – oh impious!- dares to claim my right alone, a mother’s name. 28.- Trio FIRST HARLOT Words are weak to paint my fears; heart-felt anguish, starting tears, best shall plead a mother’s cause. To thy throne, oh king, I bend, my cause is just, be thou my friend. SECOND HARLOT False is all her melting tale. SOLOMON Justice holds the lifted scale. SECOND HARLOT Then be just, and fear the laws. FIRST HARLOT Words are weak to paint my fears, etc. 29.- Recitative SOLOMON What says the other to th’imputed charge? Speak in thy turn, and tell thy wrongs at large. SECOND HARLOT I cannot varnish o’er my tongue, and colour fair the face of wrong. This babe in mine, the womb of earth intomb’d, conceals her little birth. Give me my child, my smiling boy, to cheer my breast with new-born joy. SOLOMON Hear me, ye women, and the king regard, who form his throne thus reads the just award each claim alike, let both their portions share; divide the babe, thus each her part shall bear. Quick, bring the faulchion, and the infant smite, nor further clamour for disputed right. 30.- Air SECOND HARLOT Thy sentence, great king, is prudent and wise, and my hopes on the wing quick bound for the prize. (Contented I hear, and approve the decree; for at least I shall tear the lov’d infant from thee) 31.- Recitative FIRST HARLOT Withhold, withhold the executing hand! Reverse, oh king, thy stern command. 32.- Air Can I see my infant gor’d with the fierce relentless sword? Can I see him yield his breath, smiling at the hand of death? And behold the purple tides gushing down his tender sides? Rather be my hopes beguil’d, take him all – but spare my child. 33.- Accompagnato SOLOMON Israel, attend to what your king shall say Think not I meant the innocent to slay. The stern decision was to trace with art, the secret dictates of the human heart. She who could bear the fierce decree to hear, nor send one sigh, nor shed one pious tear, must be a stranger to a mother’s name- Hence from my sight, nor urge a further claim! But you, whose fears a parent’s love attest, receive, and bind him to your beating breast to you, in justice, I the babe restore, and may you lose him form your arms no more. 34.- Duet FIRST HARLOT Thrice bless’d be the king, for he’s good and he’s wise. SOLOMON The Lord all these virtues has giv’n... FIRST HARLOT My gratitude calls streaming tears from my eyes. SOLOMON Thy thanks be return’d all to Heav’n. ‘Tis God that rewards, and will lift from the dust whom to crush proud oppressors endeavour. FIRST HARLOT How happy are those who in God put their trust! SOLOMON For His mercy endureth for ever. 35.- Chorus CHORUS OF ISRAELITES From the east unto the west, who so wise as Solomon? Who like Israel’s king is bless’d, who so worthy of a throne. 36. Recitative ZADOK From morn to eve I could enraptur d sing The various virtues of our happy king; In whom, with wonder, we behold combin d The grace of feature with the worth of mind. 37. Air See the tall palm that lifts the head On Jordan s sedgy side, His tow ring branches curling spread, And bloom in graceful pride. Each meaner tree regardless springs, Nor claims our scornful eyes; Thus thou art first of mortal kings, And wisest of the wise. See the tall palm... 38.- Recitative FIRST HARLOT No more shall armed bands our hopes destroy, peace waves her wing, and pours forth ev’ry joy. 39.- Air Beneath the vine, or fig-tree’s shade, ev’ry shepherd sings the maid, who his simple heart betray’d. In a rustic measure. While of torments he complains, all around the village swains catch the song, and feel his pains, mingling sighs with pleasure. 40.- Chorus CHORUS OF PRIESTS Swell, swell the full chorus to Solomon’s praise, record him, ye bards, as the pride of our days. Flow sweetly the numbers that dwell on his name, and rouse the whole nation in songs to his fame. ACT TWO Scene 1 (Solomon, Levite, Israelites) 22.- Chorus CHORUS From the censer curling rise grateful incense to the skies; heaven blesses David’s throne, happy, happy Solomon! Live, live for ever, pious David’s son; live, live for ever, mighty Solomon 23.- Recitative SOLOMON Prais’d be the Lord, form Him my wisdom springs; I bow in-raptur’d to the King of Kings. He led me, abject, to th’imperial state, when weak, and trembling for my future fate; strengthen’d by Him, each foe with horror fled, then impious Joab at the altar bled; the death he oft deserv’d stern Schimei found, and Adonijah sunk beneath the wound; forc’d by his crimes, I spoke a brother’s doom. Ah, may his vices perish in his tomb! 24.-Air When the sun o’er yonder hills pours in tides the golden day, or, when quiv’ring o’er the rills, in the west he dies away; he shall ever hear me sing praises to th’eternal King. 25.- Recitative LEVITE Great prince, thy resolution’ just; he never fails, in Heav’n who puts his trust; true worth consists not in the pride of state, ‘this virtue only makes a monarch great. 26.- Air Thrice bless’d that wise discerning king, who can each passion tame, and mount on virtue’s eagle wing to everlasting fame. Such shall as mighty patterns stand to princes yet unborn, to honour prompt each distant land, and future time adorn. Scene 2 (The previous and an attendant) 27.- Recitative ATTENDANT My sovereign liege, two women stand, and both beseech the king’s command to enter here. Dissolv’d in tears the one a new born infant bears; the other, fierce, and threat’ ning loud, declares her story to the crowd; and thus she clamours to the throng, "see we the King, he shall redress our wrong" SOLOMON Admit them straight; for when we mount the throne, our hours are all the people’s, not our own. Scene 3 (The previous and two harlots) FIRST HARLOT Thou Son of David, hear a mother’s grief; and let the voice of justice bring relief. This little babe my womb conceiv’d, the smiling infant I with joy receiv’d. That woman also bore a son, whose vital thread was quickly spun one house we both together kept; but once, unhappy, as I slept, she stole at midnight where I lay, bore my soft darling from my arms away, and left her child behind, a lump of lifeless clay and now – oh impious!- dares to claim my right alone, a mother’s name. 28.- Trio FIRST HARLOT Words are weak to paint my fears; heart-felt anguish, starting tears, best shall plead a mother’s cause. To thy throne, oh king, I bend, my cause is just, be thou my friend. SECOND HARLOT False is all her melting tale. SOLOMON Justice holds the lifted scale. SECOND HARLOT Then be just, and fear the laws. FIRST HARLOT Words are weak to paint my fears, etc. 29.- Recitative SOLOMON What says the other to th’imputed charge? Speak in thy turn, and tell thy wrongs at large. SECOND HARLOT I cannot varnish o’er my tongue, and colour fair the face of wrong. This babe in mine, the womb of earth intomb’d, conceals her little birth. Give me my child, my smiling boy, to cheer my breast with new-born joy. SOLOMON Hear me, ye women, and the king regard, who form his throne thus reads the just award each claim alike, let both their portions share; divide the babe, thus each her part shall bear. Quick, bring the faulchion, and the infant smite, nor further clamour for disputed right. 30.- Air SECOND HARLOT Thy sentence, great king, is prudent and wise, and my hopes on the wing quick bound for the prize. (Contented I hear, and approve the decree; for at least I shall tear the lov’d infant from thee) 31.- Recitative FIRST HARLOT Withhold, withhold the executing hand! Reverse, oh king, thy stern command. 32.- Air Can I see my infant gor’d with the fierce relentless sword? Can I see him yield his breath, smiling at the hand of death? And behold the purple tides gushing down his tender sides? Rather be my hopes beguil’d, take him all – but spare my child. 33.- Accompagnato SOLOMON Israel, attend to what your king shall say Think not I meant the innocent to slay. The stern decision was to trace with art, the secret dictates of the human heart. She who could bear the fierce decree to hear, nor send one sigh, nor shed one pious tear, must be a stranger to a mother’s name- Hence from my sight, nor urge a further claim! But you, whose fears a parent’s love attest, receive, and bind him to your beating breast to you, in justice, I the babe restore, and may you lose him form your arms no more. 34.- Duet FIRST HARLOT Thrice bless’d be the king, for he’s good and he’s wise. SOLOMON The Lord all these virtues has giv’n... FIRST HARLOT My gratitude calls streaming tears from my eyes. SOLOMON Thy thanks be return’d all to Heav’n. ‘Tis God that rewards, and will lift from the dust whom to crush proud oppressors endeavour. FIRST HARLOT How happy are those who in God put their trust! SOLOMON For His mercy endureth for ever. 35.- Chorus CHORUS OF ISRAELITES From the east unto the west, who so wise as Solomon? Who like Israel’s king is bless’d, who so worthy of a throne. 36. Recitative ZADOK From morn to eve I could enraptur d sing The various virtues of our happy king; In whom, with wonder, we behold combin d The grace of feature with the worth of mind. 37. Air See the tall palm that lifts the head On Jordan s sedgy side, His tow ring branches curling spread, And bloom in graceful pride. Each meaner tree regardless springs, Nor claims our scornful eyes; Thus thou art first of mortal kings, And wisest of the wise. See the tall palm... 38.- Recitative FIRST HARLOT No more shall armed bands our hopes destroy, peace waves her wing, and pours forth ev’ry joy. 39.- Air Beneath the vine, or fig-tree’s shade, ev’ry shepherd sings the maid, who his simple heart betray’d. In a rustic measure. While of torments he complains, all around the village swains catch the song, and feel his pains, mingling sighs with pleasure. 40.- Chorus CHORUS OF PRIESTS Swell, swell the full chorus to Solomon’s praise, record him, ye bards, as the pride of our days. Flow sweetly the numbers that dwell on his name, and rouse the whole nation in songs to his fame. Handel,George Frideric/Solomon/III
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http //www.malice-in-wonderland.com/ http //www.myspace.com/maliceinwonderland member ( L to R ) Andy Valentine bass Chri$ Wicked vocal Tracy Loveless guitar Tommi Gun drums Malice In Wonderland Malice In Wonderland 2005年6月27日 1. Lucifer s Town / 2. Devil Dance / 3. My Heart ( Belongs To You ) / 4. Perfect Drug / 5. In The End / 6. Heartache Boulevard / 7. Red Rose Suicide / 8. Dancing With You / 9. Nightclub, Sin Decadence / 10. I Love To Sin
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I Love Trucks! Harpercollins Childrens Books? Philemon Sturges? Shari Halpern? HarpercollinsChildrensBooks? PhilemonSturges? ShariHalpern? ジャンル別? Subjects-Children sBooks-Ages4-8-PictureBooks? Subjects-Children sBooks-Literature? Subjects-Children sBooks-People&Places-Travel? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Seymour Simon's Book of Trucks Harpercollins Childrens Books? Seymour Simon HarpercollinsChildrensBooks? SeymourSimon? ジャンル別? Subjects-Children sBooks-Authors&Illustrators,A-Z-(S)-Simon,Seymour? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Arts&Music-Photography? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? 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Subjects-Professional&Technical-Engineering-General The Best Kits Catalog Top-Of-The-Line, Time-Tested Kits for Constructing Practically Anything (Best Kits Catalog) Perennial? Frank Coffee? Perennial? FrankCoffee? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Ford Taurus in Nascar How Ford's Best-Selling Sedan Became Nascar's Hottest Racing Machine Harper Entertainment? Michael Hembree? Bill Center? HarperEntertainment? MichaelHembree? BillCenter? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Racing? 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Subjects-Professional&Technical-Engineering-General Subjects-Reference-Careers-Entrepreneurship? Consulting Engineering Practice Manual Mcgraw-Hill (Tx)? Acec? Mcgraw-Hill(Tx)? Acec? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-General Plastics for Electronics Materials, Properties, and Design Applications (Electronic Packaging and Interconnection) Mcgraw-Hill (Tx)? William M. Alvino? Mcgraw-Hill(Tx)? WilliamM.Alvino? ジャンル別? Substores-UnknownASINs-1? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-GraphicDesign-Printing? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Engineering-General? 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Discrete Element Methods Numerical Modeling of Discontinua Proceedings of the Third International Conference September 23-25, 2002, Santa Fe, New Mexico, USA (Geotechnical Special Publication Number 117) Amer Society of Civil Engineers? n International Conference on Discrete Element Methods 2002 Santa Fe? Richard P. Jensen? AmerSocietyofCivilEngineers? nInternationalConferenceonDiscreteElementMethods2002SantaFe? RichardP.Jensen? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-Geology-Volcanology? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-WaterSupply? Water Resources Engineering Handbook of Essential Methods and Design Amer Society of Civil Engineers? Anand Prakash? AmerSocietyofCivilEngineers? AnandPrakash? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Hydrology? 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CHAPTER I UP CHAPTER III CHAPTER II Matthew Cuthbert is surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main. Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. She s a case, I should say." "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den--walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly clear, sweet voice. "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? And I was quite sure you would come for me in the morning, if you didn t to-night." Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum--only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. I do love to imagine I m nice and plump, with dimples in my elbows." With this Matthew s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He s got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. Because, you see, if the bridge DID crumple up I d want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER I UP CHAPTER III 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 53 (Tue)
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Active Solar Collectors and Their Applications Oxford Univ Pr on Demand? Ari Rabi? OxfordUnivPronDemand? AriRabi? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Energy-Geothermal&SolarEnergy? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-Geothermal&SolarEnergy? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Cryogenic Systems (Monographs on Cryogenics, No 3) Oxford Univ Pr (Sd)? Randall F. Barron? OxfordUnivPr(Sd)? RandallF.Barron? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Subjects-Professional&Technical-Engineering-General 洋書
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http //www.google.com/patents?q=%22type+bar%22+long-arm+OR+short-arm btnG=Search+Patents as_drrb_is=b as_minm_is=0 as_miny_is= as_maxm_is=0 as_maxy_is=1888 http //b.hatena.ne.jp/raycy/20090901#bookmark-15726355 "type bar" long-arm OR short-arm http //www.google.com/patents?q=%22type+writing%22+long-arm+OR+short-arm btnG=Search+Patents as_drrb_is=b as_minm_is=0 as_miny_is= as_maxm_is=0 as_maxy_is=1882 http //b.hatena.ne.jp/raycy/20090901#bookmark-15726606 "type writing" long-arm OR short-arm "type bar"が用語として定着する以前は、 letter-lever type-lever 等も使われていたようだ http //www.google.com/patents?q=-%22type+bar%22%22type+writing%22+long-arm+OR+short-arm btnG=Search+Patents as_drrb_is=b as_minm_is=0 as_miny_is= as_maxm_is=0 as_maxy_is=1882 http //b.hatena.ne.jp/raycy/20090901#bookmark-15726768 -"type bar""type writing" long-arm OR short-arm つまり、タイプバーの本質は、long-arm and short-arm であり、 long-arm and short-armはタイプバーと並立ないし、先立つほどの説明的概念呼称である。 サイエンティフィック・アメリカン１８７２年には、なんとあったっけかな、タイプバーのことは。 http //blog.goo.ne.jp/raycy/e/e7411f90cd0f755bca6ecbebd9d25497 type leverだったんだ、、。 link_trackbackcounter -
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Glass From Cinderella's Slippers to Fiber Optics (Material World) Twenty First Century Books? Ruth G. Kassinger? TwentyFirstCenturyBooks? RuthG.Kassinger? ジャンル別? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-EarthSciences-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-EarthScience? Mae Jemison Out of This World (Gateway Biographies) Millbrook Pr? Corinne J. Naden? Rose Blue? MillbrookPr? CorinneJ.Naden? RoseBlue? ジャンル別? Subjects-Children sBooks-People&Places-Biographies-PeopleofColor? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? 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